MUSIC ON MCB | DEEP BRAZIL
Foto: Paulo Serau, Luciano Ruas, Carla Casarim e Guilherme Kafé
Deep Brazil takes place this Sunday (3/7), at 11 am, and features works by Villa-Lobos, Mario de Andrade, Tom Jobim, among others.
Held by the Museu da Casa Brasileira, an institution managed by Fundação Padre Anchieta, the Música no MCB project will present this Sunday (3/7), at 11 am, the show ‘Brasil Profundo’. With Paulo Serau on viola and Luciano Ruas on piano, the concert also has special participation of singers Carla Casarim and Guilherme Kafé.
Created in celebration of the centenary of the 1922 Modern Art Week, the presentation proposes an aesthetic approach to our songbook that breaks free from the shackles of obviousness, that escapes the commonplace and travels in modernist thought, creating intersections between the erudite and the popular. Works by Heitor Villa-Lobos, Mario de Andrade, Waldemar Henrique, Luiz Gonzaga, Tom Jobim, among others will be presented.
About the Modern Art Week of 1922
The Modern Art Week of 1922 was a movement that marked the rupture of traditional aesthetic standards, seeking a national, original and analytical artistic identity that spoke to its time – a world that was relearning human relations modified by the Industrial Revolution -, presenting the cultural diversity of the vast Brazilian territory, also exposing its social issues.
SERVICE:
Deep Brazil Show
Concert with Paulo Serau, Luciano Ruas, Carla Casarim and Guilherme Kafé.
Date: July 03, Sunday, at 11 am.
Location: Terrace of the Brazilian House Museum
Av. Brig. Faria Lima, 2705 – Jardim Paulistano – SP
Close to Faria Lima station on the Yellow Line of the Metro.
Admission: R$ 20.00 | Half price: R$10.00SERVIÇO:
About Paulo Serau
Serau has worked with names such as Alaíde Costa, Ângela Maria, As Galvão, Ayrton Montarroyos, Carlinhos Vergueiro, Carlos Lyra, Cauby Peixoto, Claudette Soares, Cristóvão Bastos, Elba Ramalho, Inezita Barroso, João Donato, Leci Brandão, Leny Andrade, Marcelo Jeneci , Maria Alcina, Mônica Salmaso, Sergio Santos and Zezé Motta. He has already performed the musical direction and arrangements for the projects: “Elizeth Cardoso 100 Anos ao Vivo” (Biscoito Fino, 2020); “The Songs of a Boy” (Independent, 2019); “Sing Inezita! ” (Kuarup, 2019); “Two Nights for Dolores Duran” (Canal Brasil, 2015); “Cabocla Eu Sou”, by Inezita Barroso (TV Cultura, 2013), among other productions. He released two books: “Choro para Big Band” (2011) and “O Choro de Luiz Gonzaga” (2013), with the Funarte Centenário de Luiz Gonzaga award 2012. In addition, he contributed to the production of articles for the publications “Direito e Brazilian Cinema” (Lisbon International Press, 2020) and “Brazilian Law and Music” (Lumen Júris, 2020). The musician also conducts research on the musical field, namely: “The role of arrangement in Brazilian music – História, Escuta e Debate” (Sesc São Paulo, 2021) and “Pixinguinha and Radamés at 78 rpm: listening to 78 rpm records” , aesthetic analysis and transcription of arrangements by Pixinguinha and Radamés Gnattali (Center for Research and Training of Sesc São Paulo, 2019).
About Luciano Ruas
The São Paulo-born pianist and arranger has a curriculum highly related to quality popular music. His repertoire includes bossa nova and jazz, choro and traditional Brazilian music. He studied with great names in the São Paulo music scene such as Wilson Curia, Evaldo Soares, Frank Herzberg, Alexandre Zamith, Debora Gurgel and André Marques, and participated in festivals and Master Classes with Brazilian Piano masters Cesar Camargo Mariano, Cristóvão Bastos, Laercio de Freitas and Fabio Torres. He has extensive experience playing in various formations, whether in duos with singer Hilda Maria and singer Bruno Vicenzi, in trio at the “Living Room Jazz trio” or orchestral with Paulo Serau at “Grande Banda”, who has accompanied great names in Brazilian music. such as Roberto Sion, Derico, Sergio Santos, Mônica Salmaso, Cristóvão Bastos, Ayrton Montarroios, Alaíde Costa and Claudete Soares.
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